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La Signorina Giulia

Premiere 26 June 2021

TSU - Teatro Stabile dell'Umbria

By

August Strindberg

Direction and Adaptation of the Text

Leonardo Lidi

Set and Light Design

Nicolas Bovey

Costumes 

Aurora Damanti

Sound

G.U.P. Alcaro

'SPOLETO 64, "LA SIGNORINA JULIA" APPLAUDed At SAN SIMONE/beteween IMMORTALITy and CANNIBALISM'
(carlo vantaggioli, tuttoggi - il giornale on line dell'umbria)
                                                                        

with

Julie/Giulia

Giuliana Vigogna

Jean/Gianni

Christian La Rosa

Kristin/Cristina

Ilaria Falini

 "Therefore, they are all a little bit «predestined» (...) On the other hand, an admirable coherence presides over this stanging: Julie, for example,  always wears withe, wich is the colour of  death, and therefore, is the umpteent sign of «predestination»".

(Enrico Fiore, Controscena.net)

Spoleto64

Festival
dei due mondi

"for god's sake - what happened here?
i don't want to stay in this house anymore,
help me".

(kristin, la signorina julie)

"In the closed world of Miss Giulia
(...) The characters are reduced to three, almost because the mechanisms of struggle and unhappiness are clearer, and obviously of defeat for all three ".
(gianfranco capitta, il manifesto.it)

"Jean: but my god how did you get on?
Giulia: why,
what is it?
Jean: you are white as a dead man
".

(dialogue between jean and giulia, la Signorina Giulia)

some stages of processing:

The costumes were made by the lady Deanna Bardazzi, precious seamstress with great experience and responsability, extremly important collaborator.

Anging boots worn by Jean.

Making Giulia's costume: having to give the costume the look and fit of a girl's dress, the costume itself was made in two sizes smaller than the actress's.

In the tailoring, Kristin costume fitting on mannequin.

the theatre company

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Production

TSU - Teatro Stabile dell' Umbria

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