_edited.png){kind=logo}
La Signorina Giulia
Premiere 26 June 2021
TSU - Teatro Stabile dell'Umbria
By
August Strindberg
​
Direction and Adaptation of the Text
Leonardo Lidi
​
Set and Light Design
Nicolas Bovey
​
Costumes
Aurora Damanti
​
Sound
G.U.P. Alcaro
​
'SPOLETO 64, "LA SIGNORINA JULIA" APPLAUDed At SAN SIMONE/beteween IMMORTALITy and CANNIBALISM'
(carlo vantaggioli, tuttoggi - il giornale on line dell'umbria)
with
Julie/Giulia
Giuliana Vigogna
​
Jean/Gianni
Christian La Rosa
​
Kristin/Cristina
Ilaria Falini
​
"Therefore, they are all a little bit «predestined» (...) On the other hand, an admirable coherence presides over this stanging: Julie, for example, always wears withe, wich is the colour of death, and therefore, is the umpteent sign of «predestination»".
(Enrico Fiore, Controscena.net)
Spoleto64
Festival
dei due mondi
"for god's sake - what happened here?
i don't want to stay in this house anymore, help me".
(kristin, la signorina julie)
"In the closed world of Miss Giulia
(...) The characters are reduced to three, almost because the mechanisms of struggle and unhappiness are clearer, and obviously of defeat for all three ".
(gianfranco capitta, il manifesto.it)
"Jean: but my god how did you get on?
Giulia: why, what is it?
Jean: you are white as a dead man".
(dialogue between jean and giulia, la Signorina Giulia)
some stages of processing:
The costumes were made by the lady Deanna Bardazzi, precious seamstress with great experience and responsability, extremly important collaborator.
Anging boots worn by Jean.
Making Giulia's costume: having to give the costume the look and fit of a girl's dress, the costume itself was made in two sizes smaller than the actress's.
In the tailoring, Kristin costume fitting on mannequin.
the theatre company
turn up the volume
Production
TSU - Teatro Stabile dell' Umbria
​