(...) "All this is translated on stage by the adrenaline-filled vitalism of Bandini and De Vreese, front and back of the same medal that the always precious Aurora Damanti wears with outfits that are sometimes the same, sometimes similar, almost as if to underline the points of contact and the subtle differences present in the declination of a passion always experienced and narrated at the top of one's lungs, and in which the spectator cannot help but be reflected, in his own way and according to his personal experience, in the series of mirrors which, with the curtain open, reflect the public in the last scene". (...)

(Roberto Canavesi, Sipario, https://www.sipario.it/recensioniprosac/item/15136-come-nei-giorni-migliori-regia-di-leonardo-lidi.html)